Series
Works
  • a painted image depicting a close up of two red columns positioned on each side of the image, with a centralized, bright spring green and tan space coming out from behind the columns.
    Rosalind Nashashibi
    Red Portal, Green Pool, 2019
    Pigment on canvas
    120 x 150 cm | 47 1/4 x 59 1/8 in
    Sold
  • Rosalind Nashashibi, Indifference, 2017
    Rosalind Nashashibi
    Indifference, 2017
    Oil on canvas
    60 x 75 x 2 cm | 23 5/8 x 29 1/2 x 3/4 in
    Sold
  • Rosalind Nashashibi, In Vivian's Garden, 2016
    Rosalind Nashashibi
    In Vivian's Garden, 2016
    Oil on canvas
    60 x 90 cm | 23 5/8 x 35 3/8 in
    Sold
  • Rosalind Nashashibi, Lock It, 2023
    Rosalind Nashashibi
    Lock It, 2023
    Oil on canvas
    95 x 100 cm | 37 3/8 x 39 3/8 in
  • Rosalind Nashashibi, Blue Vase, 2023
    Rosalind Nashashibi
    Blue Vase, 2023
    Oil on canvas
    120 x 150 cm | 47 1/4 x 59 in
  • Rosalind Nashashibi, Blink, Flip, 2023
    Rosalind Nashashibi
    Blink, Flip, 2023
    Oil on linen, diptych
    Each canvas: 40 x 40 cm | 15 3/4 x 15 3/4 in
    Overall: 40 x 80 cm | 15 3/4 x 31 1/2 in
    Sold
  • Rosalind Nashashibi, Joyous recognition, a smile rises up from the deep, 2023
    Rosalind Nashashibi
    Joyous recognition, a smile rises up from the deep, 2023
    Oil on linen
    120 x 150 cm | 47 1/4 x 59 in
    Sold
  • Rosalind Nashashibi, Single Bed, 2023
    Rosalind Nashashibi
    Single Bed, 2023
    Oil on canvas
    100 x 80 x 2 cm | 39 3/8 x 31 1/2 x 3/4 in
    Sold
  • Rosalind Nashashibi, Woman in a Boat, 2023
    Rosalind Nashashibi
    Woman in a Boat, 2023
    Oil on linen
    100 x 95 cm | 39 3/8 x 37 3/8 in
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Biography

Rosalind Nashashibi is an artist of Palestinian / Northern Irish heritage based in London. She is a painter and filmmaker preoccupied with looking, to the extent of passing over onto the side of the subject in a way that can be disconcerting and yet empathetic. Her films, shot on 16mm, have a handmade quality with a surprisingly intimate way of communicating a creative process or an experience of communality. Palestine is an enduring subject amongst others in both films and paintings, and in the latter, familiar signs and art historical references become strange and intrigue us into looking at them anew.  

Rosalind Nashashibi (b. 1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK), after which she attended the Glasgow School of Art, Glasgow (UK), where she received her MFA. As part of her Master’s degree, Nashashibi participated in a three-month exchange program in California, CA (US) at CalArts in 1999. In 2020, Nashashibi became artist in residence at the National Gallery in London (UK). She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale. Her work has been included in Documenta14, Manifesta 7, the Nordic Triennial, Sharjah 10, and Gothenburg Biennial. She was the first woman to win the Beck’s Futures prize in 2003. 

Nashashibi has had solo shows at KM21, Kunstmuseum, The Hague (NL); ARCH, Athens (GR); Melas Martinos, Athens (GR); Musée Art Contemporain Carréd’Art, Nîmes (FR); Radvila Palace Museum of Art for CAC, Vilnius (LT); Vienna Secession, Vienna (AT); Kunstinstituut Melly, Rotterdam (NL); The High Line, New York, NY (US); The Art Institute of Chicago, Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK).

Nashashibi has participated in group exhibitions at Z33, Hasselt (BE); CCA Wattis, San Francisco, CA (US); Den Frie, Copenhagen (DK); CRAC Alsace, Altkirch (FR); Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US).

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