Series
Works
  • Rosalind Nashashibi, Eyeballing (video still), 2005
    Rosalind Nashashibi
    Eyeballing (video still), 2005
    16mm film, color, sound
    10 minutes
  • Rosalind Nashashibi, Eyeballing (video still), 2005
    Rosalind Nashashibi
    Eyeballing (video still), 2005
    16mm film, color, sound
    10 minutes
  • Rosalind Nashashibi, Europa's Bull, 2020
    Rosalind Nashashibi
    Europa's Bull, 2020
    Oil on canvas
    60 x 80 cm | 23 5/8 x 31 1/2 in
    Sold
  • abstract image of a person laying down, covered by a pink and white striped blanket. next to the woman is the face of a sheep and a curly haired child.
    Rosalind Nashashibi
    Late Summer, 2020
    Oil on canvas
    60 x 90 cm | 23 5/8 x 35 3/8 in
    Sold
  • Rosalind Nashashibi, Different in Every Way, 2020
    Rosalind Nashashibi
    Different in Every Way, 2020
    Oil on wool army blanket
    127 x 61 cm | 50 x 24 1/8 in
  • Rosalind Nashashibi, Elena, 2020
    Rosalind Nashashibi
    Elena, 2020
    Oil on canvas
    60 x 45 cm | 23 5/8 x 17 3/4 in
    Sold
  • image of a man looking directly at the viewer who appears to be wearing a blue and white striped shirt with a strong collar. the collar and shoulders of the shirt go past the man's chin as if it is layered on top of him. the man stands in front of a yellow background.
    Rosalind Nashashibi
    Untitled (PG), 2020
    Oil on canvas
    40 x 50 cm | 15 3/4 x 19 3/4 in
    Sold
  • Rosalind Nashashibi, A Drop of Scent, 2020
    Rosalind Nashashibi
    A Drop of Scent, 2020
    Oil on canvas
    150 x 120 cm | 59 1/8 x 47 1/4 in
    Sold
  • abstract painted image of a nude woman in an erotic pose with pink and blue hues swirling throughout the background
    Rosalind Nashashibi
    Fuck You Is Perfect, 2019
    Oil on canvas
    150 x 120 cm | 59 1/8 x 47 1/4 in
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Biography

Rosalind Nashashibi is an artist of Palestinian / Northern Irish heritage based in London. She is a painter and filmmaker preoccupied with looking, to the extent of passing over onto the side of the subject in a way that can be disconcerting and yet empathetic. Her films, shot on 16mm, have a handmade quality with a surprisingly intimate way of communicating a creative process or an experience of communality. Palestine is an enduring subject amongst others in both films and paintings, and in the latter, familiar signs and art historical references become strange and intrigue us into looking at them anew.  

Rosalind Nashashibi (b. 1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK), after which she attended the Glasgow School of Art, Glasgow (UK), where she received her MFA. As part of her Master’s degree, Nashashibi participated in a three-month exchange program in California, CA (US) at CalArts in 1999. In 2020, Nashashibi became artist in residence at the National Gallery in London (UK). She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale. Her work has been included in Documenta14, Manifesta 7, the Nordic Triennial, Sharjah 10, and Gothenburg Biennial. She was the first woman to win the Beck’s Futures prize in 2003. 

Nashashibi has had solo shows at KM21, Kunstmuseum, The Hague (NL); ARCH, Athens (GR); Melas Martinos, Athens (GR); Musée Art Contemporain Carréd’Art, Nîmes (FR); Radvila Palace Museum of Art for CAC, Vilnius (LT); Vienna Secession, Vienna (AT); Kunstinstituut Melly, Rotterdam (NL); The High Line, New York, NY (US); The Art Institute of Chicago, Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK).

Nashashibi has participated in group exhibitions at Z33, Hasselt (BE); CCA Wattis, San Francisco, CA (US); Den Frie, Copenhagen (DK); CRAC Alsace, Altkirch (FR); Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US).

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