Series
Works
  • Rosalind Nashashibi, Heavy Moth, 2022
    Rosalind Nashashibi
    Heavy Moth, 2022
    Oil on linen
    120 x 150 cm | 47 1/4 x 59 in
  • Rosalind Nashashibi, Rest Before Change, 2022
    Rosalind Nashashibi
    Rest Before Change, 2022
    Oil on linen
    70 x 60 cm | 27 1/2 x 23 5/8 in
    Sold
  • Rosalind Nashashibi, Showgirls, 2022
    Rosalind Nashashibi
    Showgirls, 2022
    Oil on linen
    150 x 130 cm | 59 1/8 x 51 1/8 in
  • painted abstract image that is contained within a painted blue "frame." a bit yellow "X" shape runs over the entire image, within which are pink and indigo hues muddled together. below the "X" shape is a bunch of bananas and a couple of swans, and both figurations have an ethereal quality.
    Rosalind Nashashibi
    Wood, Velvet, Crystal, 2022
    Oil on linen
    70 x 60 cm | 27 1/2 x 23 5/8 in
  • Rosalind Nashashibi, Elena and Gintaras At The Market, 2021
    Rosalind Nashashibi
    Elena and Gintaras At The Market, 2021
    Oil on linen
    60 x 40 cm | 23 5/8 x 15 3/4 in
    Sold
  • oil painting depicting the torso of a figure holding a happy cat. there is a large floating strawberry in the upper right corner
    Rosalind Nashashibi
    Mon Amour, 2021
    Oil on linen
    100 x 90 cm | 39 3/8 x 35 3/8 in
    Sold
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Biography

Rosalind Nashashibi is an artist of Palestinian / Northern Irish heritage based in London. She is a painter and filmmaker preoccupied with looking, to the extent of passing over onto the side of the subject in a way that can be disconcerting and yet empathetic. Her films, shot on 16mm, have a handmade quality with a surprisingly intimate way of communicating a creative process or an experience of communality. Palestine is an enduring subject amongst others in both films and paintings, and in the latter, familiar signs and art historical references become strange and intrigue us into looking at them anew.  

Rosalind Nashashibi (b. 1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK), after which she attended the Glasgow School of Art, Glasgow (UK), where she received her MFA. As part of her Master’s degree, Nashashibi participated in a three-month exchange program in California, CA (US) at CalArts in 1999. In 2020, Nashashibi became artist in residence at the National Gallery in London (UK). She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale. Her work has been included in Documenta14, Manifesta 7, the Nordic Triennial, Sharjah 10, and Gothenburg Biennial. She was the first woman to win the Beck’s Futures prize in 2003. 

Nashashibi has had solo shows at KM21, Kunstmuseum, The Hague (NL); ARCH, Athens (GR); Melas Martinos, Athens (GR); Musée Art Contemporain Carréd’Art, Nîmes (FR); Radvila Palace Museum of Art for CAC, Vilnius (LT); Vienna Secession, Vienna (AT); Kunstinstituut Melly, Rotterdam (NL); The High Line, New York, NY (US); The Art Institute of Chicago, Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK).

Nashashibi has participated in group exhibitions at Z33, Hasselt (BE); CCA Wattis, San Francisco, CA (US); Den Frie, Copenhagen (DK); CRAC Alsace, Altkirch (FR); Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US).

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