Series
Works
  • a painted image depicting a close up of two red columns positioned on each side of the image, with a centralized, bright spring green and tan space coming out from behind the columns.
    Rosalind Nashashibi
    Red Portal, Green Pool, 2019
    Pigment on canvas
    120 x 150 cm | 47 1/4 x 59 1/8 in
    Sold
  • Rosalind Nashashibi, Woman in a Boat, 2023
    Rosalind Nashashibi
    Woman in a Boat, 2023
    Oil on linen
    100 x 95 cm | 39 3/8 x 37 3/8 in
  • Rosalind Nashashibi, Heavy Moth, 2022
    Rosalind Nashashibi
    Heavy Moth, 2022
    Oil on linen
    120 x 150 cm | 47 1/4 x 59 in
  • Rosalind Nashashibi, Showgirls, 2022
    Rosalind Nashashibi
    Showgirls, 2022
    Oil on linen
    150 x 130 cm | 59 1/8 x 51 1/8 in
  • painted abstract image that is contained within a painted blue "frame." a bit yellow "X" shape runs over the entire image, within which are pink and indigo hues muddled together. below the "X" shape is a bunch of bananas and a couple of swans, and both figurations have an ethereal quality.
    Rosalind Nashashibi
    Wood, Velvet, Crystal, 2022
    Oil on linen
    70 x 60 cm | 27 1/2 x 23 5/8 in
  • Rosalind Nashashibi, Elena and Gintaras At The Market, 2021
    Rosalind Nashashibi
    Elena and Gintaras At The Market, 2021
    Oil on linen
    60 x 40 cm | 23 5/8 x 15 3/4 in
    Sold
Page
 10 
of 10
Biography

Rosalind Nashashibi is a painter and filmmaker of Palestinian / Northern Irish heritage based in London. Her practice depicts moments of collective intimacy as well as fragments of contemporary life through the lens of history. For Nashashibi, painting is a communication of the lived experience. It is a means of bringing thoughts to the surface that resist articulation, in a way that assumes intimacy with the viewer. Her concurrent 16mm filmmaking practice similarly observes intimate circumstances and settings in which social or mythological meaning takes shape.

Rosalind Nashashibi (b. 1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK), after which she attended the Glasgow School of Art, Glasgow (UK), where she received her MFA. As part of her Master’s degree, Nashashibi participated in a three-month exchange program at CalArts, CA (US), in 1999. In 2020, Nashashibi became artist in residence at the National Gallery in London (UK). She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale (IT). Her work has been included in Documenta 14, Manifesta 7, the Nordic Triennial, Sharjah 10, and Gothenburg Biennial. She was the first woman to win the Beck’s Futures prize in 2003. 

Nashashibi has had solo shows at Artium Museoa, Vitoria-Gasteiz (ES); KM21, Kunstmuseum, The Hague (NL); ARCH, Athens (GR); Melas Martinos, Athens (GR); Musée Art Contemporain Carré d’Art, Nîmes (FR); Radvila Palace Museum of Art for CAC, Vilnius (LT); Vienna Secession, Vienna (AT); Kunstinstituut Melly, Rotterdam (NL); The High Line, New York, NY (US); The Art Institute of Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK).

Nashashibi has participated in group exhibitions at Z33, Hasselt (BE); CCA Wattis, San Francisco, CA (US); Den Frie, Copenhagen (DK); CRAC Alsace, Altkirch (FR); Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US).

Video