Series
Works
  • Rosalind Nashashibi, Elena, 2020
    Rosalind Nashashibi
    Elena, 2020
    Oil on canvas
    60 x 45 cm | 23 5/8 x 17 3/4 in
    Sold
  • image of a man looking directly at the viewer who appears to be wearing a blue and white striped shirt with a strong collar. the collar and shoulders of the shirt go past the man's chin as if it is layered on top of him. the man stands in front of a yellow background.
    Rosalind Nashashibi
    Untitled (PG), 2020
    Oil on canvas
    40 x 50 cm | 15 3/4 x 19 3/4 in
    Sold
  • abstract painted image of a nude woman in an erotic pose with pink and blue hues swirling throughout the background
    Rosalind Nashashibi
    Fuck You Is Perfect, 2019
    Oil on canvas
    150 x 120 cm | 59 1/8 x 47 1/4 in
  • a painted image depicting a close up of two red columns positioned on each side of the image, with a centralized, bright spring green and tan space coming out from behind the columns.
    Rosalind Nashashibi
    Red Portal, Green Pool, 2019
    Pigment on canvas
    120 x 150 cm | 47 1/4 x 59 1/8 in
    Sold
  • abstract painted image of the silhouette of a girl wearing pink undergarments, which is overlaid by green lines that evoke the structure of windowpanes
    Rosalind Nashashibi
    Strong Girl, 2018
    Oil on canvas
    60 x 75 cm | 23 5/8 x 29 1/2 in
  • Rosalind Nashashibi, Indifference, 2017
    Rosalind Nashashibi
    Indifference, 2017
    Oil on canvas
    60 x 75 x 2 cm | 23 5/8 x 29 1/2 x 3/4 in
    Sold
  • Rosalind Nashashibi, In Vivian's Garden, 2016
    Rosalind Nashashibi
    In Vivian's Garden, 2016
    Oil on canvas
    60 x 90 cm | 23 5/8 x 35 3/8 in
    Sold
  • Rosalind Nashashibi, Denim Sky, 2018-2022
    Rosalind Nashashibi
    Denim Sky, 2018-2022
    16mm film transferred to HD file
    Duration overall - 1 hour 7 minutes
    Part One: Where there is a joyous mood, there a comrade will appear to share a glass of wine. (22 min)
    Part Two: The Moon almost at the full. The team horse goes astray. (16 min)
    Part Three: The wind blows over the lake and stirs the surface of the water. Thus visible effects of the invisible show themselves. (28 min)
    Edition of 3
  • Rosalind Nashashibi, Lock It, 2023
    Rosalind Nashashibi
    Lock It, 2023
    Oil on canvas
    95 x 100 cm | 37 3/8 x 39 3/8 in
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Biography

British Palestinian artist Rosalind Nashashibi is a painter and filmmaker. She is preoccupied with looking, in a way that almost crosses over into the subject's camp, passing onto the side of the observed in a way that can be disconcerting. Her films chronicle intimate moments of contemporary life across diverse circumstances with a deeply empathetic and personal approach. Nashashibi's work is marked with precise references to other filmmakers and painters such as Hockney and Degas, and the filmmakers Pasolini and Chantal Akerman. 

Her films are often non-linear, punctuated by manifestations of power dynamics and collective histories. Subjects have included non-nuclear family structures, the multiple personae of the artist and chronicling Palestinian life.  In her painting, sentimental or overbearing motifs such as a pair of swans or a X, intrigue us into looking at them anew, and her references to historical paintings are dives into the past to bring back new experiences. 

Rosalind Nashashibi (1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK)  after which she attended the Glasgow School of Art, Glasgow (UK) where she received her MFA. As part of her Master's degree, Nashashibi participated in a three-month exchange program in Valencia, California (US) at CalArts in 2000. In 2020, Nashashibi became the first artist in residence at the National Gallery in London (UK), after the program was re-established.

She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale. Her work has been included in Documenta14, Manifesta 7, the Nordic Triennial, and Sharjah 10. She was the first woman to win the Beck's Futures prize in 2003 and in 2024, Nashashibi was one of six artists shortlisted for The Film London Jarman Award. This year, she will participate in the group exhibition a hand that is all hands combined, at the Göteborg International Biennial for Contemporary Art, Göteborg (SE) and present a forthcoming solo exhibition at KM21, Kunstmuseum, The Hague (NL), opening late 2025.

Nashashibi has had exhibitions at venues including Den Frie Centre of Contemporary Art, Copenhagen (DK); Musée Art Contemporain Carréd'Art, Nîmes (FR); Nottingham Contemporary (UK); Radvila Palace Museum of Art for CAC, Vilnius (LT); S.M.A.K., Ghent (BE); The High Line, New York, NY (US); Tate Britain, London (UK); Scottish National Gallery of Modern Art, Edinburgh (UK); The Art Institute of Chicago, Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK). Nashashibi has participated in group exhibitions at Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US), among others. 

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