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The Garden of Earthly Delights
GRIMM 54 White St, New York, NY (US), June 27 - August 8, 2025

The Garden of Earthly Delights

Current exhibition
  • Works
  • Installation Views
  • Press release
  • Press
  • Related content
Works
  • Sophie Birch Fugue, 2025 Oil on canvas 180 x 150 cm | 70 7/8 x 59 in
    Sophie Birch
    Fugue, 2025
    Oil on canvas
    180 x 150 cm | 70 7/8 x 59 in
    Sold
  • Sophie Birch Fovea, 2025 Oil on canvas 120 x 140 cm | 47 1/4 x 55 1/8 in
    Sophie Birch
    Fovea, 2025
    Oil on canvas
    120 x 140 cm | 47 1/4 x 55 1/8 in
  • Sophie Birch Spectra, 2025 Oil on canvas 35.5 x 30 cm | 14 x 11 3/4 in
    Sophie Birch
    Spectra, 2025
    Oil on canvas
    35.5 x 30 cm | 14 x 11 3/4 in
    Sold
  • Anthony Cudahy cycle/chain, 2025 Oil on linen 121.9 x 91.4 cm | 48 x 36 in
    Anthony Cudahy
    cycle/chain, 2025
    Oil on linen
    121.9 x 91.4 cm | 48 x 36 in
  • Sarah Esme Harrison Untitled (Gate for a Russian Olive), 2023 Oil on wood panel 121.9 x 91.4 x 17.8 cm | 48 x 36 x 7 in
    Sarah Esme Harrison
    Untitled (Gate for a Russian Olive), 2023
    Oil on wood panel
    121.9 x 91.4 x 17.8 cm | 48 x 36 x 7 in
    Sold
  • Sarah Esme Harrison Untitled (Gate for a Tree), 2023-2024 Oil on wood panel 121.9 x 91.4 x 17.8 cm | 48 x 36 x 7 in
    Sarah Esme Harrison
    Untitled (Gate for a Tree), 2023-2024
    Oil on wood panel
    121.9 x 91.4 x 17.8 cm | 48 x 36 x 7 in
  • Volker Hüller Fade away, 2025 Pastel on paper, framed 193.7 x 140.3 cm | 76 1/4 x 55 1/4 in
    Volker Hüller
    Fade away, 2025
    Pastel on paper, framed
    193.7 x 140.3 cm | 76 1/4 x 55 1/4 in
  • Volker Hüller Nachspiel, 2025 Oil and silk on canvas, framed 43.2 x 156.5 cm | 17 x 61 5/8 in
    Volker Hüller
    Nachspiel, 2025
    Oil and silk on canvas, framed
    43.2 x 156.5 cm | 17 x 61 5/8 in
    Sold
  • Hettie Inniss Marooned, 2025 Acrylic, oil and oil stick on canvas 140 x 100 cm | 55 1/8 x 39 3/8 in
    Hettie Inniss
    Marooned, 2025
    Acrylic, oil and oil stick on canvas
    140 x 100 cm | 55 1/8 x 39 3/8 in
    Sold
  • Jochem Mestriner Cargoless, 2025 Oil, oil pastel, oil stick & colour pencil on canvas 50 x 40 cm | 19 3/4 x 15 3/4 in
    Jochem Mestriner
    Cargoless, 2025
    Oil, oil pastel, oil stick & colour pencil on canvas
    50 x 40 cm | 19 3/4 x 15 3/4 in
    Sold
  • Jochem Mestriner Tale of Wit, 2025 Oil, oil pastel, oil stick & colour pencil on canvas 30 x 40 cm | 11.8 x 15.7 in
    Jochem Mestriner
    Tale of Wit, 2025
    Oil, oil pastel, oil stick & colour pencil on canvas
    30 x 40 cm | 11.8 x 15.7 in
    Sold
  • Gabriella Boyd Floorplan (Green Driver), 2024 Oil on linen, diptych 150 x 280 cm | 78 3/4 x 70 7/8 in
    Gabriella Boyd
    Floorplan (Green Driver), 2024
    Oil on linen, diptych
    150 x 280 cm | 78 3/4 x 70 7/8 in
    Sold
  • Matthew Day Jackson Portrait (after Mompers), 2023-2025 Wood, wood stain, oil paint, acrylic paint, epoxy resin, fiberglass, UV pigment, lead, wood inlay frame 228.6 x 168 x 5.1 cm | 90 x 66 1/8 x 2 in
    Matthew Day Jackson
    Portrait (after Mompers), 2023-2025
    Wood, wood stain, oil paint, acrylic paint, epoxy resin, fiberglass, UV pigment, lead, wood inlay frame
    228.6 x 168 x 5.1 cm | 90 x 66 1/8 x 2 in
    Reserved
  • Matthew Day Jackson Anthropocene Reliquary, 2025 Stainless steel, bronze, lead, artist-made mirror, plexiglass, material believed to be Trinitite 228.6 x 139.7 x 71.1 cm | 90 x 55 x 28 in
    Matthew Day Jackson
    Anthropocene Reliquary, 2025
    Stainless steel, bronze, lead, artist-made mirror, plexiglass, material believed to be Trinitite
    228.6 x 139.7 x 71.1 cm | 90 x 55 x 28 in
  • Francesca Mollett Iris, 2025 Oil on linen 250 x 180 cm | 98 3/8 x 70 7/8 in
    Francesca Mollett
    Iris, 2025
    Oil on linen
    250 x 180 cm | 98 3/8 x 70 7/8 in
    Sold
  • Sophie Birch The world’s oldest eye, 2025 Oil on canvas 55 x 65 cm | 21 5/8 x 25 5/8 in
    Sophie Birch
    The world’s oldest eye, 2025
    Oil on canvas
    55 x 65 cm | 21 5/8 x 25 5/8 in
  • Sophie Birch Glare, 2025 Oil on canvas 30 x 35.5 cm | 11 3/4 x 14 in
    Sophie Birch
    Glare, 2025
    Oil on canvas
    30 x 35.5 cm | 11 3/4 x 14 in
    Sold
  • Fischer Mustin Domo, 2025 Oil on canvas 80 x 70 cm | 31 1/2 x 27 1/2 in
    Fischer Mustin
    Domo, 2025
    Oil on canvas
    80 x 70 cm | 31 1/2 x 27 1/2 in
    Sold
  • Fischer Mustin Before the fire, 2025 Oil on linen 40 x 30 cm | 15 3/4 x 11 3/4 in
    Fischer Mustin
    Before the fire, 2025
    Oil on linen
    40 x 30 cm | 15 3/4 x 11 3/4 in
    Sold
  • Georg Wilson The Meeting Place, 2025 Oil on panel 40 x 50 cm | 15 3/4 x 19 3/4 in
    Georg Wilson
    The Meeting Place, 2025
    Oil on panel
    40 x 50 cm | 15 3/4 x 19 3/4 in
    Sold
  • Shiwen Wang Seed, 2025 Oil on linen 60 x 70 cm | 23 5/8 x 27 1/2 in
    Shiwen Wang
    Seed, 2025
    Oil on linen
    60 x 70 cm | 23 5/8 x 27 1/2 in
    Sold
  • Ken D. Resseger Giger Perimeter of a Jungle Dream, 2025 Oil and acrylic on wood, framed 17.8 x 22.9 cm | 7 x 9 in
    Ken D. Resseger
    Giger Perimeter of a Jungle Dream, 2025
    Oil and acrylic on wood, framed
    17.8 x 22.9 cm | 7 x 9 in
    Sold
  • Ken D. Resseger Untitled, 2025 Oil and acrylic on wood, framed 17.8 x 22.9 cm | 7 x 9 in
    Ken D. Resseger
    Untitled, 2025
    Oil and acrylic on wood, framed
    17.8 x 22.9 cm | 7 x 9 in
  • mosie romney Memory Quilt, 2025 Oil on linen 162.6 x 162.6 cm | 64 x 64 in
    mosie romney
    Memory Quilt, 2025
    Oil on linen
    162.6 x 162.6 cm | 64 x 64 in
  • mosie romney Theatre of spirits, 2025 Oil on canvas 121.9 x 152.4 cm | 48 x 60 in
    mosie romney
    Theatre of spirits, 2025
    Oil on canvas
    121.9 x 152.4 cm | 48 x 60 in
  • Kiki Xuebing Wang Beautiful Mother Catwalk, 2025 Oil on linen, diptych 225 x 140 cm | 88 5/8 x 55 1/8 in
    Kiki Xuebing Wang
    Beautiful Mother Catwalk, 2025
    Oil on linen, diptych
    225 x 140 cm | 88 5/8 x 55 1/8 in
    Sold
  • Kiki Xuebing Wang Garden Wakes, 2025 Oil on linen, diptych 160 x 300 cm | 63 x 118 1/8 in
    Kiki Xuebing Wang
    Garden Wakes, 2025
    Oil on linen, diptych
    160 x 300 cm | 63 x 118 1/8 in
Installation Views
  • Installation View The Garden Of Earthly Delights Grimm New York Us 6
  • Installation View The Garden Of Earthly Delights Grimm New York Us 3
  • Installation View The Garden Of Earthly Delights Grimm New York Us 7
  • Installation View The Garden Of Earthly Delights Grimm New York Us 2
  • Installation View The Garden Of Earthly Delights Grimm New York Us 16
  • Installation View The Garden Of Earthly Delights Grimm New York Us 8
  • Installation View The Garden Of Earthly Delights Grimm New York Us 23
  • Installation View The Garden Of Earthly Delights Grimm New York Us 24
  • Installation View The Garden Of Earthly Delights Grimm New York Us 22
  • Installation View The Garden Of Earthly Delights Grimm New York Us 26
  • Installation View The Garden Of Earthly Delights Grimm New York Us 19
  • Installation View The Garden Of Earthly Delights Grimm New York Us 21
  • Installation View The Garden Of Earthly Delights Grimm New York Us 17
  • Installation View The Garden Of Earthly Delights Grimm New York Us 13
  • Installation View The Garden Of Earthly Delights Grimm New York Us 15
  • Installation View The Garden Of Earthly Delights Grimm New York Us 10
  • Installation View The Garden Of Earthly Delights Grimm New York Us 11
  • Installation View The Garden Of Earthly Delights Grimm New York Us 12
  • Installation View The Garden Of Earthly Delights Grimm New York Us 9
  • Installation View The Garden Of Earthly Delights Grimm New York Us 14
Press release
Sophie Birch Fugue, 2025 Oil on canvas 180 x 150 cm | 70 7/8 x 59 in
Sophie Birch
Fugue, 2025
Oil on canvas
180 x 150 cm | 70 7/8 x 59 in
View works

GRIMM is pleased to present a group exhibition in New York this summer inspired by the iconic painting The Garden of Earthly Delights (1490 - 1500) by Hieronymus Bosch.

Artists include: Sophie Birch, Gabriella Boyd, Anthony Cudahy, Sarah Esme Harrison, Volker Hüller, Hettie Inniss, Matthew Day Jackson, Jochem Mestriner, Francesca Mollett, Fischer Mustin, Ken D. Resseger, mosie romney, Kiki Xuebing Wang, Shiwen Wang, and Georg Wilson

The exhibition hinges around the ideas of natural beauty, pleasure, and our environment. Responding to the bucolic beauty of Eden, the surreal madness of hell, and the suspended time before man, this show invites viewers to explore the strange, layered world Bosch so masterfully created.

The Garden of Earthly Delights brings together a group of contemporary artists who reflect not only on nature’s forms but also the moments between the real and imagined. Some artists ruminate on the original work in the abstract, while others use known forms to connect these ideas to today.

Among the featured artists is Volker Hüller, who sees Bosch’s free-flowing, surreal figuration as deeply modern. “The figuration is so bizarre and imaginative that the underlying Christian symbolism recedes into the background,” Hüller says. “What’s striking is how this sense of creative freedom contrasts sharply with the painting’s unmistakable Renaissance craftsmanship. That tension is precisely what gives the work such a contemporary edge.” He adds, “Honestly, a bunch of flowers stuck in the ass of a figure has quite a potential to comment on the present—it’s surreal, absurd, and strangely fitting.”

Anthony Cudahy reflects on Bosch’s moralistic symbolism through a contemporary lens: “In the triptych, Bosch sets up so many consumption/defecation scenarios, culminating with the bird demon monster sitting on a throne in the right-most panel." "I'm interested in how the visionary art of a conservative true believer is now read as psychedelia with an entirely different set of associations.” Cudahy’s own contribution imagines a passive participant in a cycle of violence: “In my painting, the figure aloofly pushes along a spider to complete a sick chain of violence.”

Georg Wilson approaches Bosch with a sensitivity to color and atmosphere: “When I think of Bosch’s work I always first think of green, and therefore yellow,” Wilson explains. “There is the zingy apple-green of The Garden of Earthly Delights, dark sludge-green in his foliage and undergrowth, and most memorably the deep sea-green turquoise of his skies.” Drawing inspiration from a long-valued postcard of Saint Jerome, Wilson emphasizes how Bosch’s world-building influences her own: “His scenes of many figures conjure the idea of a whole world, of sorrow and joy and strangeness all taking place simultaneously... not the heroic main character narrative but something stranger, off to one side.”

The exhibition offers an opportunity to reengage with Bosch’s enigmatic vision in The Garden of Earthly Delights, as contemporary artists reinterpret his iconic triptych, transforming it into a site for critical reflection and contemporary discourse.

Sophie Birch's (b. 1992, Littlehampton, UK) translucent layers of oil paint create an atmospheric haze that evokes feelings of contemplation and fragility. Her work explores themes of transformation through soft, diffused abstraction. 

Gabriella Boyd’s (b. 1988, Glasgow, UK) paintings aim to translate internal sensations into visual representations that capture the ephemeral nature of internal sensation and memory. Boyd’s work is akin to the shaky logic of dreams, where the boundaries between the body and the environment become unstable. 

Anthony Cudahy (b. 1989, Fort Myers, FI, US) scours familial history and archival photography to create oil paintings that capture the gravity of everyday life through figures that seem simultaneously tethered to reality and dreamlike. His delicate rendering of the human figure provokes feelings of both intimacy and unease. 

Sarah Esme Harrison (b. 1990, New York, NY, US) creates paintings that merge naturalistic forms with ornamental details, creating a contrast between bucolic chaos and man-imposed order. Harrison’s landscapes are framed by wrought iron embellishments that both confine and decorate the scenery behind them. 

Volker Hüller’s (b. 1976, Forchheim, DE) work often dissembles figurative forms into abstract representations in a way that is evocative of the Cubist and Expressionist movements. The fragmented planes of his subject align in a rhythmic balance yet create a sense of friction and tension, contributing to the contemporary atmosphere of alienation and uncertainty in his work. 

Hettie Inniss’s (b. 1999, London, UK) work responds to human sensory experience, preserving light, touch and memory in abstracted paintings that aim to capture the fleeting vestiges of memory. The radiant warm hues often featured in Inniss’ paintings imbue a sense of nostalgia for half-remembered spaces and sensations.

Matthew Day Jackson (b. 1974, Panorama City, CA, US) is a multi-media artist whose creations investigate the intersections between technology and nature. Jackson’s variety of both industrial and natural materials invites the viewer to examine humanity’s view of the environment. 

Jochem Mestriner (b. 1998, Maastricht, NL) is a Dutch artist whose oil paintings often depict chimerical natural forms that invite the spectator to stimulate their imagination. Working in layers of diluted oil paint, Mestriner’s work probes the boundary between reality and fantasy.

Francesca Mollett’s (b. 1991, Bristol, UK) abstract paintings emulate aspects of the environment, hinting at naturalistic forms with fluid applications of paint. Composed with animated brush strokes and luminous colors, Mollet’s work draws from reality and transmogrifies the material into something intangible and ethereal.

Fischer Mustin’s (b. 1998, London, UK) work incorporates common Renaissance motifs, which he distorts through a surreal approach. His figures inhabit ambiguous, symbolic spaces where classical aesthetics merge with contemporary perspectives of the absurd.

Ken D. Resseger (b. 1981, Providence, RI, US) takes inspiration from the natural world to explore the human psyche. Through energetic, short brush strokes, Resseger infuses emotion into trees, rivers, and other natural elements, capturing both the physical and symbolic essence of nature. 

mosie romney (b. 1994, New York, NY, US) uses screenshots, archetypes, symbols, and fictional characters in their practice to create a multidimensional world. They combine these elements to make visionary-like paintings, exploring the medium’s ability to act as a portal for self-perception, world-building, and to express the feeling of polychronic time.

Kiki Xuebing Wang (b. 1993, Zhengzhou, CN) uses translucent layers to capture natural forms reminiscent of stained glass. Her prismatic surfaces reflect and refract light, disrupting the viewer’s sense of spatial clarity. Wang’s paintings consider how the image itself distorts perception and memory. 

Shiwen Wang (b. 1995, Shanghai, CN) reconciles the natural and the artificial through her paintings of organic imagery, reassembled with architectural geometries and spectral, refractive forms. Her work balances both disarray and order, creating paintings that are delicate, emphatic and inherently ambiguous. 

Georg Wilson (b. 1998, London, UK) creates imagined landscapes that mythologize the earth’s environment. Drawing from folklore and ecology, her work invites the viewer to envision a world absent of humanity. 

With special thanks to all participating artists and their representing galleries.

Download Press Release
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Related artists

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Back to exhibitions

Keizersgracht 241

1016 EA, Amsterdam

The Netherlands

43a Duke Street, St James's

London, SW1Y 6DD

United Kingdom

 

54 White Street

New York, NY 10013

United States

 

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