Anthony Cudahy weaves imagery culled from photo archives, art history, film stills, hagiographic icons and personal photographs to explore themes of queer identity and tenderness. His evocative figurative paintings and drawings are informed by extensive historical research. They negotiate feelings of loneliness, isolation, desire, and safety through the lens of the artist’s own autobiographical narratives and crafted mythologies.
In 1961 Henri Lefebvre wrote in his Critique of the Everyday Life, “Everyday life does not exist as a generality.” Cudahy’s paintings are exemplary in illustrating this argument. His figures read magazines or scroll through their phones in domestic interiors, brush shoulders or clasp hands in passing, converse in crowds, crouch in unmarked spaces, and lay idly among floral fields or wrinkled sheets. They face away from the viewer, their eyes casting longing glances in directions outside of the composition. Lit by glowing cyan, rose, violet, or teal hues they have the pulsing energy of a ritual moment both in action and already retired to history.
Erotic, somber, celebratory, and private, these are not moments of anonymous mundanity but scenes of the specific extraordinary-ness produced within the everyday. Cudahy often begins with collages and sketches from his photo-references, finding inspiration in a variety of vernacular queer photo archives or his own great uncle Kenny Gardener’s extensive photo collection archived by his partner Ian Lewandowski. Moving through a variety of iterations from these vignettes, he generates compositions through acute attention to color and mark-making, sustaining a commitment to the mediums he uses as they guide the final works.
Anthony Cudahy (b. 1989 Ft. Meyers, FL, US) completed an MFA at Hunter College, New York, NY (US) in 2020. He is featured as one of the Artsy Vanguard artists of 2022, and in 2021 he presented work with Ian Lewandowski at Deli Gallery, New York, NY (US) titled It Was Dark in His Arms. He has had solo exhibitions with GRIMM, Amsterdam (NL) in 2022; Hales Gallery, New York, NY (US) in 2021; Semiose Gallery, Paris (FR) in 2021 and 1969 Gallery, New York, NY (US) in 2018. He has been shown in various international group exhibitions and was included in GRIMM’s Equal Affections exhibition in Amsterdam (NL) in 2021. Cudahy's work has been featured in Artforum, Brooklyn Rail, The London Magazine, Cultured Mag and the Paris Review among others.
His work can be found in collections of The Hort Family Collection, New York, NY (US); Institute of Contemporary Art, Miami, FL (US); Kunstmuseum, The Hague (NL); Les Arts au Mur Arthothèque de Pessac, Pessac (FR); and Xiao Museum of Contemporary Art, Rizhao (CN).
GRIMM represents the artist in collaboration with Hales Gallery and Semiose Gallery
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For Anthony Cudahy, Color is a Character
Sara Roffino, Cultured Magazine, December 1, 2022 -
The Artsy Vanguard 2022: Anthony Cudahy
John Belknap, Artsy, November 15, 2022 -
Review: The Armory Show: Five Artists To Watch
Advisory Perspective, Ocula, September 14, 2022 -
Anthony Cudahy joins GRIMM
July 14, 2022 -
The Ethereal Everyday of Anthony Cudahy
Sebastian Zinn, Hyperallergic , June 29, 2021 -
Q&A: IAN LEWANDOWSKI & ANTHONY CUDAHY
Rafael Soldi, Strange Fire Collective , April 8, 2021 -
The New Canon: 7 Queer Painters Who Are Tapping into the History Books
Harrison Tenzer, Cultured, June 20, 2019
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a pearl caught between my teeth
Anthony Cudahy Published by GRIMM on the occasion of "a pearl caught between my teeth", a solo exhibition with new works by Anthony Cudahy at GRIMM, Amsterdam (NL)., 2022 Hard cover with linen, 104 pages
Publisher: GRIMM Amsterdam (NL)
ISBN: ISBN 978-90-831888-7-4
Dimensions: 22 x 15 cm | 8 5/8 x 5 7/8 in Read more -
Equal Affections
with essay by David Leavitt Published by GRIMM on the occasion of "Equal Affections", 2021 Hard cover with linen, 100 pages
Publisher: GRIMM Amsterdam (NL)
ISBN: 978-90-831888-0-5
Dimensions: 22 x 15 cm | 8 5/8 x 5 7/8 in Read more