British Palestinian artist Rosalind Nashashibi is a painter and filmmaker. She is preoccupied with looking, in a way that almost crosses over into the subject's camp, passing onto the side of the observed in a way that can be disconcerting. Her films chronicle intimate moments of contemporary life across diverse circumstances with a deeply empathetic and personal approach. Nashashibi's work is marked with precise references to other filmmakers and painters- such as Hockney and Degas and the filmmakers Pasolini and Chantal Akerman.
Her films are often non-linear, punctuated by manifestations of power dynamics and collective histories. Subjects have included non-nuclear family structures, the multiple personae of the artist and chronicling Palestinian life.
In her painting, sentimental or overbearing motifs such as a pair of swans or a X, intrigue us into looking at them anew, and her references to historical paintings are dives into the past to bring back new experiences.
Rosalind Nashashibi (1973, London, UK) received her BA in Painting from Sheffield Hallam University, Sheffield (UK) after which she attended the Glasgow School of Art, Glasgow (UK) where she received her MFA. As part of her Master's degree, Nashashibi participated in a three-month exchange program in Valencia, California (US) at CalArts in 2000. In 2020, Nashashibi became the first artist in residence at the National Gallery in London (UK), after the program was re-established. She was a Turner Prize nominee in 2017, and represented Scotland in the 52nd Venice Biennale. Her work has been included in Documenta14, Manifesta 7, the Nordic Triennial, and Sharjah 10. She was the first woman to win the Beck's Futures prize in 2003. Nashashibi is one of six artists shortlisted for The Film London Jarman Award 2024.
Nashashibi has had exhibitions at venues including Den Frie Centre of Contemporary Art, Copenhagen (DK); Musée Art Contemporain Carréd'Art, Nîmes (FR); Nottingham Contemporary (UK); Radvila Palace Museum of Art for CAC, Vilnius (LT); S.M.A.K., Ghent (BE); The High Line, New York, NY (US); Tate Britain, London (UK); Scottish National Gallery of Modern Art, Edinburgh (UK); The Art Institute of Chicago, Chicago, IL (US); Imperial War Museum, London (UK); and ICA, London (UK). Nashashibi has participated in group exhibitions at Centre Georges Pompidou and Forum des Images, Paris (FR); Tate, London (UK); Sculpture Center, New York, NY (US); Museo Tamayo, Mexico City (MX); Whitechapel, London (UK); Kunstverein, Frankfurt am Main (DE); UCLA Hammer Museum, Los Angeles, CA (US), among others.
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Rosalind Nashashibi at Witte de With
Contemporary Art Daily, December 25, 2018 -
Gauguin’s disturbing visions brought to life at Tate St Ives
Jackie Wullschlager, Financial Times, October 30, 2018 -
Our Magnolia, Nashashibi/Skaer, Doggerfisher, Edinburgh
Matt Barnes, The Independent, September 17, 2018 -
Cinematic Borderlands
Elizabeth Fullerton, Art in America, January 1, 2018 -
Turner Prize nominee Rosalind Nashashibi: 'I felt like Gaza was under a spell'
Ben Luke, Evening Standard, September 28, 2017 -
SHARE Palestinian-English artist Rosalind Nashashibi among nominees for prestigious Turner Prize 2017
Ben East, The National, May 4, 2017 -
Turner Prize 2017: Rosalind Nashashibi
Tate, January 1, 2017 -
Rosalind Nashashibi at Murray Guy
Contemporary Art Daily, July 16, 2016 -
Rosalind Nashashibi interviewed by George Vasey
November 15, 2015 -
Critics' Picks
Alex Davidson, Artforum, October 1, 2015 -
Vertigo #1
Ellen Greig, LUX, February 25, 2015 -
Rosalind Nashashibi, "The Painter and the Deliveryman" at Objectif Exhibitions, Antwerp
Mousse Magazine, December 31, 2013 -
Rosalind Nashashibi
The New Yorker, October 14, 2013 -
Rosalind Nashashibi
Artforum, December 1, 2011 -
Carlo's Vision
Vincenzo Latronico, Domus, September 21, 2011 -
Nashashibi/Skaer
Lauren O’Neill Butler, Arttforum, May 1, 2010 -
Rosalind Nashashibi
T.J. Demos, Artforum, March 1, 2010 -
Rosalind Nashashibi
Brian Dillon, Frieze, January 1, 2010 -
Rosalind Nashashibi
Laura Cummings, The Guardian, September 12, 2009 -
Rosalind Nashashibi
Ossian Ward, Time Out, September 11, 2009 -
FILM MAKES TIME
Michele Robecchi, Mousse, June 1, 2009 -
Looking Out
Martin Herbert, Frieze, May 1, 2008