Throughout his early career, Franz has developed a captivating style of organic representation where viewpoints in his paintings are refracted, obscured, and through this brought closer to life. Directly confronting the complexity of contemporary existence, he approaches the medium of painting as a venture in witnessing and recording his time.
In his paintings, muted earth tones are contrasted with shadowy outlines and full primary hues that comprise invented architectural spaces or uncanny perspectives. The pulling and pushing tension within his brushstrokes captures the sensation of heavy, enlarged forms giving way to more delicate arrangements, infused with the imbalanced weight and proportions one would find in a dream.
Franz is careful to distance the viewer’s perspective from the interior of his paintings. He describes this process as “clinging to the inherent depth and secret of things.” Buried within his images the viewer searches for the face of a figure or the contours of the skyline. Amongst the seemingly unconnected locations pictured throughout his oeuvre he depicts the environment of the academy, onstage performances, and beds full of dreaming bodies. Throughout these scenes, the motif of collective longing is projected into a broader social context, as are suggestions of detachment, inaction, and rebelliousness.
The artist’s early influences include American painters such as Jacob Lawrence and Romare Bearden, while he embraces the expressive grandeur inherited from his continental European predecessors and contemporaries, German painters such as Martin Kippenberger, Albert Oehlen, and Daniel Richter.
Matthias Franz graduated from the Academy of Fine Arts Vienna in 2019, where he was a student of Daniel Richter. Franz participated in the group exhibition at GRIMM New York, Condition Humaine, in December 2021.
The artist’s first solo exhibition with GRIMM, Salon des Nutzlosen, took place at the gallery’s New York location in June of 2022, and his second solo exhibition with GRIMM, Birds Sing the Echoes of Fragmentation, opened in March 2023.
Franz's work can be found in the Rachofsky Collection, Dallas, TX (US); De Heus-Zomer Collection, Barneveld (NL); THE EKARD COLLECTION; Green Family Art Foundation, Dallas TX (US); Kunstmuseum, The Hague (NL); The He Art Museum, Foshan (CN); The Roberts Institute of Art (RIA), London (UK) and numerous private collections.
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DANIEL RICHTER x MATTHIAS FRANZ
Sensory Dialogue November 12, 2024 - February 25, 2025 Yi Space, Hangzhou (CN) -
The Moon and I
July 13 - August 18, 2023 GRIMM 54 White St, New York, NY (US) -
Matthias Franz
Birds Sing the Echoes of Fragmentation March 22 - April 15, 2023 GRIMM Keizersgracht 241, Amsterdam (NL) -
Matthias Franz
Salon des Nutzlosen June 17 - July 15, 2022 GRIMM 54 White St, New York, NY (US) -
Condition Humaine
October 29 - December 4, 2021 GRIMM 54 White St, New York, NY (US)
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"Salon des Nutzlosen (studie)" (2022) by Matthias Franz acquired by the David and Indrė Roberts Collection, London
July 18, 2023GRIMM is pleased to announce the recent acquisition of Matthias Franz's Salon des Nutzlosen (studie) (2022) by the the David and Indrė Roberts Collection ,...Read more -
"Realm of Scope" (2022) by Matthias Franz acquired by The He Art Museum, Foshan
March 30, 2023GRIMM is pleased to announce the recent acquisition of Matthias Franz's Realm of Scope (2022) by The He Art Museum, Foshan (CN) . Throughout...Read more -
Matthias Franz joins GRIMM
October 7, 2021GRIMM is proud to announce the gallery’s representation of emerging painter Matthias Franz (b. 1984 in Ilmenau, DE).Read more