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Ger van Elk
...Therefore, Art is Splendid, GRIMM 202 Bowery, New York, NY (US), 18 January - 3 March 2019

Ger van Elk: ...Therefore, Art is Splendid

Past exhibition
  • Works
  • Installation Views
  • Press
  • Press release
  • Related content
Works
  • Ger van Elk The Waterfall - Eternal Family Piece, 2002 Harddisc, LCD screen, in surround in oak frame 56 x 62 cm | 22 1/8 x 24 3/8 in
    Ger van Elk
    The Waterfall - Eternal Family Piece, 2002
    Harddisc, LCD screen, in surround in oak frame
    56 x 62 cm | 22 1/8 x 24 3/8 in
  • Ger van Elk Camping Art 2, 1968 Canvas, tent poles, guy ropes, tent pins 116.8 x 330.2 x 337.8 cm | 46 x 130 x 133 in
    Ger van Elk
    Camping Art 2, 1968
    Canvas, tent poles, guy ropes, tent pins
    116.8 x 330.2 x 337.8 cm | 46 x 130 x 133 in
  • Ger van Elk, Sunset Moonrise Sologne (Une Nuit dans un Chalet Suisse), 1990
    Ger van Elk, Sunset Moonrise Sologne (Une Nuit dans un Chalet Suisse), 1990
  • Ger van Elk, Conclusions II - Vejer de la Frontera “Blue transparent”, 2012
    Ger van Elk, Conclusions II - Vejer de la Frontera “Blue transparent”, 2012
  • Ger van Elk, Rotterdam horizon / Reflexion white horizon, 2000
    Ger van Elk, Rotterdam horizon / Reflexion white horizon, 2000
  • Ger van Elk, Conclusions II - Vejer de la Frontera “Red”, 2012
    Ger van Elk, Conclusions II - Vejer de la Frontera “Red”, 2012
  • Ger van Elk Sandwich Study 'Tombe' (C de X), 1994 Color photograph and acrylic paint, wooden frame 94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in
    Ger van Elk
    Sandwich Study 'Tombe' (C de X), 1994
    Color photograph and acrylic paint, wooden frame
    94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in
  • Ger van Elk Some Natural Aspects of Sculpture, 1970-2002 Harddisc, LCD screen, in surround in oak frame 55 x 62 cm | 21 5/8 x 24 3/8 in
    Ger van Elk
    Some Natural Aspects of Sculpture, 1970-2002
    Harddisc, LCD screen, in surround in oak frame
    55 x 62 cm | 21 5/8 x 24 3/8 in
  • Ger van Elk Cloudy Conscience (C de X), 1994 Color photograph and acrylic paint, wooden frame 94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in
    Ger van Elk
    Cloudy Conscience (C de X), 1994
    Color photograph and acrylic paint, wooden frame
    94.9 x 113 x 6.7 cm | 37 3/8 x 44 1/2 x 2 5/8 in
  • Ger van Elk Niet werkelijk woef, 1987 Slide projection (colored b/w slides) projected onto California Republic flag Dimensions variable
    Ger van Elk
    Niet werkelijk woef, 1987
    Slide projection (colored b/w slides) projected onto California Republic flag
    Dimensions variable
  • Ger van Elk Los Angeles Freeway Flyer, 1973-2003 Contact prints (color) wrapped around six walking sticks 134.6 x 528.3 x 3.2 cm | 53 x 208 x 1 1/4 in
    Ger van Elk
    Los Angeles Freeway Flyer, 1973-2003
    Contact prints (color) wrapped around six walking sticks
    134.6 x 528.3 x 3.2 cm | 53 x 208 x 1 1/4 in
  • Ger van Elk The Flattening of the brook’s surface, 1972 / 2002 Harddisc, LCD screen, in surround in oak frame 56 x 62 x 4 cm | 22 1/8 x 24 3/8 x 1 5/8 in
    Ger van Elk
    The Flattening of the brook’s surface, 1972 / 2002
    Harddisc, LCD screen, in surround in oak frame
    56 x 62 x 4 cm | 22 1/8 x 24 3/8 x 1 5/8 in
  • Ger van Elk The Rose more Beautiful than Art, but Difficult, therefore Art is Splendid, 1972 Slide projection (color) projected onto watercolor in wooden frame 150 x 50 x 100 cm | 59 1/8 x 19 3/4 x 39 3/8 in
    Ger van Elk
    The Rose more Beautiful than Art, but Difficult, therefore Art is Splendid, 1972
    Slide projection (color) projected onto watercolor in wooden frame
    150 x 50 x 100 cm | 59 1/8 x 19 3/4 x 39 3/8 in
  • Ger van Elk Camping Art 1, 1967 Canvas, gauze with lace, metal tent poles, guy ropes 87.6 x 320 x 309.9 cm | 34 1/2 x 126 x 122 in
    Ger van Elk
    Camping Art 1, 1967
    Canvas, gauze with lace, metal tent poles, guy ropes
    87.6 x 320 x 309.9 cm | 34 1/2 x 126 x 122 in
  • Ger van Elk Laantje in Middelharnis van Meindert Hobbema, 1979 Small photographs on two metal pins 22.9 x 9.5 x 125.4 cm | 9 x 3 3/4 x 49 3/8 in
    Ger van Elk
    Laantje in Middelharnis van Meindert Hobbema, 1979
    Small photographs on two metal pins
    22.9 x 9.5 x 125.4 cm | 9 x 3 3/4 x 49 3/8 in
  • Ger van Elk, Pressure Piece Sandwich, 1992
    Ger van Elk, Pressure Piece Sandwich, 1992
  • Ger van Elk, The Co-Founder of the Word O.K. - Marken nr. 6, 1971 / 1999
    Ger van Elk, The Co-Founder of the Word O.K. - Marken nr. 6, 1971 / 1999
  • Ger van Elk The Missing Persons, 1976 Two coloured photolithographs 45.2 x 61.4 cm | 17 3/4 x 24 1/8 in 56.6 x 53.1 cm | 22 1/4 x 20 7/8 in
    Ger van Elk
    The Missing Persons, 1976
    Two coloured photolithographs
    45.2 x 61.4 cm | 17 3/4 x 24 1/8 in
    56.6 x 53.1 cm | 22 1/4 x 20 7/8 in
Installation Views
  • Ger Van Elk Therefore Art Is Spendid Install 1
  • Ger Van Elk Therefore Art Is Spendid Install 2
  • Ger Van Elk Therefore Art Is Spendid Install 3
  • Ger Van Elk Therefore Art Is Spendid Install 9
  • Ger Van Elk Therefore Art Is Spendid Install 10
  • Ger Van Elk Therefore Art Is Spendid Install 8
Press
  • Ger van Elk

    Canada Choate, Artforum, April 1, 2019
    This link opens in a new tab.
  • ...Therefore, Art is Splendid

    Wall Street International, January 15, 2019
Press release
Ger van Elk, ...Therefore, Art is Splendid
View works

GRIMM is proud to present the first solo presentation of works by Ger van Elk (NL, 1941 – 2014) to be shown in the United States in 30 years, since his solo exhibition at the Museum of Modern Art, New York, NY in 1975 and his solo exhibitions at The Art Institute of Chicago, IL and Marian Goodman Gallery, New York, NY in the 1980s. 

Van Elk is considered to be one of the pioneers in the Conceptual Art movement, although he never committed his practice to a singular classification. His multifaceted oeuvre ranges from Arte Povera to Pop Art, from minimal site-specific interventions to innovative video presentations. Van Elk was active in the defining stages of an international generation of artists in the 1960s and partook in groundbreaking exhibitions such as When Attitudes Become Form and Op Losse Schroeven (both in 1969). Throughout his career, which spanned over five decades, Van Elk explored the limits of image-making and its relationship to reality, reconfiguring ordinary scenes and bringing them into the realm of the absurd with simple and efficient gestures as quotidian as the scenes themselves. His style has been in constant flux, embracing new techniques and innovative media, whilst maintaining a dialogue with the history of art. 

Download press release
Related content
  • Ger van Elk Press

    Ger van Elk

    Artforum Apr 1, 2019
    Read more
  • ...Therefore, Art is Splendid Press

    ...Therefore, Art is Splendid

    Wall Street International Jan 15, 2019
    Read more

Related artist

  • Ger van Elk

    Ger van Elk

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1071 BB, Amsterdam

The Netherlands

Keizersgracht 241

1016 AE, Amsterdam

The Netherlands

54 White Street

New York, 10013 NY

United States

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