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Arturo Kameya
Drylands, Dordrechts Museum, Dordrecht (NL), August 14, 2021 - April 24, 2022

Arturo Kameya: Drylands

Past exhibition
  • Installation Views
  • Press release
  • Press
  • Related content
Installation Views
  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0004
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  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0011
  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0013
  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0009
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  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0021
  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0044
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  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0030
  • Installation View Drylands Dordrechts Museum Dordrecht Nl 2021 Ph Lndwstudio 0048
Press release
Arturo Kameya, Drylands

The Dordrechts Museum presents Drylands, the first museum solo exhibition of Arturo Kameya. The artist connects the everyday, within the (urban) culture of his native Peru, with larger storylines across time and space. Kameya, who has lived outside Peru for a long time, looks at his homeland from a distance. Far away from home, objects and rituals take on a different meaning, or perhaps lose it completely.

Rituals from everyday life

Arturo Kameya’s work is rooted in personal stories and in the history of the urban subculture of Lima, the Peruvian capital, and Japan. His native Peru has traditionally had a large community of Japanese migrants. He reflects through paintings, music and objects on apparently insignificant experiences, memories and rituals from everyday life. His work thus touches on major and current themes such as migration, loss and change. Imagining the past and the future also play a significant role in the artist’s practice.

Ceramics and found objects

The works of art consist of a combination of found or appropriated objects, paintings, ceramics and installations. In one of the paintings in the exhibition, the artist combines the visual language of an altar – a common phenomenon in the streets of Lima – with a contemporary mural. Where these street altars normally depict a saint, in this work that figure has been replaced by a scene of a crowd burning dolls of famous people and politicians. A custom that returns every turn of the year.

Press
  • Een persoonlijk droombeeld van vraagtekens (Dutch)

    Sander Bortier, HART Magazine, April 19, 2022
  • Distant childhood memories in dusty pinks and sandy yellows ­– Arturo Kameya’s 'Drylands' at Dordrechts Museum

    Manuela Zammit, Metropolis M, March 6, 2022
  • Je hoeft de oorsprong niet te snappen om toch verliefd te worden op de beelden van Arturo Kameya ★★★★☆ (Dutch)

    Sarah van Binsbergen, de Volkskrant, November 11, 2021
Related content
  • Een persoonlijk droombeeld van vraagtekens (Dutch) Press

    Een persoonlijk droombeeld van vraagtekens (Dutch)

    HART Magazine April 19, 2022
    Read more
  • Distant childhood memories in dusty pinks and sandy yellows ­– Arturo Kameya’s 'Drylands' at Dordrechts Museum Press

    Distant childhood memories in dusty pinks and sandy yellows ­– Arturo Kameya’s 'Drylands' at Dordrechts Museum

    Metropolis M March 6, 2022
    Read more
  • Je hoeft de oorsprong niet te snappen om toch verliefd te worden op de beelden van Arturo Kameya ★★★★☆ (Dutch) Press

    Je hoeft de oorsprong niet te snappen om toch verliefd te worden op de beelden van Arturo Kameya ★★★★☆ (Dutch)

    de Volkskrant November 11, 2021
    Read more

Related artist

  • Arturo Kameya

    Arturo Kameya

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Keizersgracht 241

1016 EA, Amsterdam

The Netherlands

2 Bourdon Street

London, W1K 3PA

United Kingdom

 

54 White Street

New York, NY 10013

United States

 

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