Works
  • Saskia Noor van Imhoff, Open-ground (field) (FR43810), 2022
    Saskia Noor van Imhoff
    Open-ground (field) (FR43810), 2022
    Pine wood (lived from 1516-1629 in Belarus), plexiglass, humidifier, laser engraved stainless steel, stone, bronze, dried weed, greenhouse LED lighting, plastic foil, plaster, cigarette pack, dust
    350 x 220 x 200 cm | 137 3/4 x 86 5/8 x 78 3/4 in
  • Saskia Noor van Imhoff, running, thickening, fringe space, 2022
    Saskia Noor van Imhoff
    running, thickening, fringe space, 2022
    Plexiglass, humidifier, water, stone, laser engraved stainless steel
    200 x 110 x 13 cm | 78 3/4 x 43 1/4 x 5 1/8 in
  • Saskia Noor van Imhoff, incomplt plot (natural), 2022
    Saskia Noor van Imhoff
    incomplt plot (natural), 2022
    Laser engraved plexiglass, rubber mat, iron, two parts
    Left: 55.4 x 166 x 8 cm | 21 3/4 x 65 3/8 x 3 1/8 in
    Right: 116.3 x 172.6 x 8 cm | 45 3/4 x 68 x 3 1/8 in
  • Saskia Noor van Imhoff, Thought Transfer (FR43806), 2022
    Saskia Noor van Imhoff
    Thought Transfer (FR43806), 2022
    Spruce wood (lived from 1807-1871 in North-Sweden), sandblasted bronze, bronze, aluminium, toothpick, unique
    392 x 32 x 35 cm | 154 3/8 x 12 5/8 x 13 3/4 in (total)
    Sold
  • Saskia Noor van Imhoff, Installation view | When Things Are Beings | Stedelijk Museum, Amsterdam (NL), 2022
    Saskia Noor van Imhoff
    Installation view | When Things Are Beings | Stedelijk Museum, Amsterdam (NL), 2022
  • Saskia Noor van Imhoff, Sugar and Air (FR43803), 2022
    Saskia Noor van Imhoff
    Sugar and Air (FR43803), 2022
    EHM print and diasec mounted on wood, 4 parts
    95 x 220 x 5 cm | 37 3/8 x 86 5/8 x 2 in (over all)
    Edition of 2 plus 1 artist's proof
  • installation view of a sculpture made of neon, glass, tie wrap, transformer, bamboo wood, wax and clay
    Saskia Noor van Imhoff
    Soak method, 2022
    Neon, glass, tie wrap, transformer, bamboo wood, wax and clay
    170 x 50 x 40 cm | 66 7/8 x 19 3/4 x 15 3/4 in
  • installation view of a spindly bronze sculpture mounted to the wall
    Saskia Noor van Imhoff
    Sweet taste of reproduction, 2022
    Bronze, unique
    150 x 50 x 23 cm | 59 1/8 x 19 3/4 x 9 1/8 in
    Sold
  • installation view of a clay, bronze, wood, and wire sculpture
    Saskia Noor van Imhoff
    untitled, 2022
    Clay, bronze, wood and gardening wire
    140 x 60 x 65 cm | 55 1/8 x 23 5/8 x 25 5/8 in
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Biography

Saskia Noor van Imhoff’s oeuvre examines systems, hierarchical structures, and ideas about collecting. While addressing the underlying dynamics that lead to decisions about what we keep for the future, and what we decide to dispose of, she questions the idea of a collection as a knowledge system and a mechanism that selects, differentiates, and classifies. She approaches these structures using a variety of media such as photography, sculpture and architecture, which merge into a whole in her installations. Recently she expanded her focus to a historic rural farmland in the Dutch countryside that she defines as an ’organic-collection’; the plot can be seen as a repository of knowledge, expression of its past and resource for understanding ourselves today. In her works components from the land are cultivated, processed and put together. By rethinking, re-contextualising and reclaiming a site new relationships are born, and new concepts of nature develop in order to rethink the land and its use, value, and legacy.

Together with her partner, Van Imhoff is the co-founder of REST, an artistic research foundation in Friesland (NL)

Saskia Noor van Imhoff (b. 1982 in Mission, CA) lives and works in Amsterdam and Mirns (NL). Van Imhoff was awarded the 2017 ABN Amro ArtPrize (NL), the 2012 Walter Tielmann Prize for Book Design (DE) and the 2008 Gerrit Rietveld Academie Prize (NL).

Van Imhoff has had exhibitions at various venues including: Fries MuseumLeeuwarden (NL); Centraal Museum, Utrecht (NL); AkzoNobel Art Foundation, Amsterdam (NL); the Arnulf Rainer Museum, Baden (AT); Kunsthal, Rotterdam (NL); Frans Halsmuseum De Hallen, Haarlem (NL); the 11th Gwangju Biennial (KR); Centre Georges Pompidou, Paris (FR); Frans Hals Museum|DeHallen, Haarlem (NL); Stedelijk Museum, Amsterdam (NL); De Appel, Amsterdam (NL) and the Moscow Biennial (RU).

Van Imhoff’s work is included in the collections of ABN Amro Art Collection, Amsterdam (NL); AkzoNobel Art Foundation, Amsterdam (NL); AMC Art Collection, Amsterdam (NL); THE EKARD COLLECTION; Huize Frankendael, Amsterdam (NL); ING Art Collection, Amsterdam (NL); Leids Universitair Medisch Centrum, Leiden (NL); De Nederlandsche Bank, Amsterdam (NL); Rabo Art Collection, Utrecht (NL); Stedelijk Museum, Amsterdam (NL); Textiel Museum, Tilburg (NL); Verbeke Foundation, Kemzeke (BE) and Museum Voorlinden, Wassenaar (NL), among many other public and private collections.