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GRIMM presents A las revoluciones, como a los árboles, se les reconoce por sus frutos / Revolutions, like trees, are recognized by their fruits, a new solo exhibition by Claudia Martínez Garay. The artist’s first solo exhibition in The Netherlands, will be inaugurated during Amsterdam Art Weekend 2019, two years after her graduation from the Rijksakademie.
Claudia Martínez Garay’s work dwells on Peruvian history through the life of cultural artifacts and visual archives, and the multiple voices and meanings which are ascribed to these. She combines graphic iconography and abstraction in her paintings and ceramic sculptures to reflect on the idea of memory, life and after-life, invoking a strong identification with native American cultures of South America.
With a focus on re-reading, remaking and interpreting the visual traditions, the artist presents installations that exists in a specific imaginary’s time and space. Underlying the arrangements, there is a drive to reanimate the existing fragments of lost and forgotten stories. Persistent and bittersweet, Martínez Garay’s work analyzes modernity as an inseparable component of colonialism.
The exhibition functions as an ongoing installation on which the artist keeps working during the exhibition period.
Opening during Amsterdam Art Weekend Gallery Night, Friday 22 November 2019
Works
bebé y juguetes
Claudia Martínez Garay
2019
Ceramic on painted base
9 x 12 x 10 cm | 3 1/2 x 4 3/4 x 4 in incl. base: 12 x 16 x 16 cm | 4 3/4 x 6 1/4 x 6 1/4 in
cóndor on a stick
Claudia Martínez Garay
2019
Ceramic on steel pole, brick
130 x 17 x 17 cm | 51 1/8 x 6 3/4 x 6 3/4 in
carrita
Claudia Martínez Garay
2018
Arcylic, plaster on wood panel
35 x 35 x 3 cm | 13 3/4 x 13 3/4 x 1 1/8 in
chacana y cóndor
Claudia Martínez Garay
2019
Ceramic on enamel-coated steel
126 x 190 x 100 cm | 49 5/8 x 74 3/4 x 39 3/8 in
escenario chacana
Claudia Martínez Garay
2019
Ceramics and MDF
34 x 240 x 160 cm | 13 3/8 x 94 1/2 x 63 in
frutos consechados / harvested fruits
Claudia Martínez Garay
2019
Sublimated prints on aluminum
approx: 210 x 320 x 2 cm | 82 5/8 x 126 x 3/4 in
untitled (mural)
Claudia Martínez Garay
2019
Wall paint, sublimated print on aluminum, acrylic painting on plaster, various oil paintings on wood
approx: 350 x 1500 cm | 137 3/4 x 590 1/2 in
llama
Claudia Martínez Garay
2019
Sublimated print on aluminum
51 x 51 x 1 cm | 20 1/8 x 20 1/8 x 3/8 in
llama con boracho / llama and drunken man
Claudia Martínez Garay
2019
Ceramic on painted base
13 x 14 x 10 cm | 5 1/8 x 5 1/2 x 4 in incl. base: 15 x 29 x 29 cm | 5 7/8 x 11 3/8 x 11 3/8 in
los dos niños / the two kids
Claudia Martínez Garay
2019
Ceramic on painted base
8 x 25 x 25 cm | 3 1/8 x 9 7/8 x 9 7/8 in incl. base: 12 x 148 x 90 cm | 4 3/4 x 58 1/4 x 35 3/8 in
planta azul / blue plant
Claudia Martínez Garay
2019
Sublimated print on aluminum, steel stand
220 x 120 x 40 cm | 86 5/8 x 47 1/4 x 15 3/4 in
mujer vende queso con su vaca / woman selling cheese with her cow
Claudia Martínez Garay
2019
Ceramics on painted base
10 x 25 x 25 cm | 4 x 9 7/8 x 9 7/8 in incl. base 12 x 140 x 80 cm | 4 3/4 x 55 1/8 x 31 1/2 in
oveja cobija / sheep blanket
Claudia Martínez Garay
2019
Ceramic on painted base
4 x 14 x 14 cm | 1 5/8 x 5 1/2 x 5 1/2 in incl. base: 7 x 50 x 50 cm | 2 3/4 x 19 3/4 x 19 3/4 in
planta rosada / pink plant
Claudia Martínez Garay
2019
Sublimated print on aluminum, steel stand
245 x 120 x 40 cm | 96 1/2 x 47 1/4 x 15 3/4 in
repisa blanca / white shelf
Claudia Martínez Garay
2019
Two acrylic paintings on wood panel, acrylic painting on plaster on wood panel, various ceramics, wood shelf
approx: 130 x 500 x 11 cm | 51 1/8 x 196 7/8 x 4 3/8 in
Artists
Claudia Martínez Garay
Claudia Martínez Garay’s work is in dialogue with the impact of colonialism on cultural artifacts, questioning how cultural artifacts are created, preserved, transformed and circulated. Investigating objects' journeys between their origin and destination, she suggests that the information accrued in these transitory spaces holds value and power.
Press
A las revoluciones, como a los árboles, se les reconoce por sus frutos / Revolutions, like trees, are recognized by their fruits
GRIMM Press Release
‘Highlights from Amsterdam Art Weekend 2019’, Frieze Magazine
By Sonja Borstner